INTELLECTUAL PRODUCTION
We believe in reflection and formation as one of the powerful ways to transform the world, expressed through formal and informal education. In this section there are some articles and research that are produced by Outra Margem.
TDR Magazine (New York University) publishes the dramaturgy of THE SILENCE OF THE WORLD (Andreia Duarte and Ailton Krenak) + text "The Ephemerality of The Silence of the World" (by Andreia Duarte)
Written by and for academics and artists-and their students-TDR (The Drama Review) is where leaders and future leaders in performance studies look for related texts, editorials, reviews, and articles on performing arts, performance in everyday life, politics, popular entertainment, business, and sports. In this issue, it receives the dramaturgy and a reflective text on "The Silence of the World."
(1) DOWNLOAD PDF OF THE DRAMATURE IN TDR (Volume 65, Issue 4, 2021)
ORIGINAL LINKS (1) AND (2)
"THE SILENCE OF THE WORLD - Dramaturgy of the scenic experiment by Ailton Krenak and Andreia Duarte" and text "The Ephemerality of The Silence of the World - Text by Andreia Duarte about the creative process", for Revista Corpo Futuro - issue nº2 (2021)
At Corpo Futuro it is possible to leaf through ramblings and images about the human body, nature, indigenous expression, Afrofuturism and challenging thinking in different ways. In this edition, it receives the dramaturgy and a reflective text on "The Silence of the World" .
“INDIGENOUS PEOPLES AND THE THEATER - A POSSIBILITY FOR THE REINVENTION OF LIFE”, for Harvard Review of Latin America (2020)
In this article for the Harvard Review of Latin America, Andreia revisits her life experience with the Kamayura and the first studies on the performativity of the indigenous body to reflect on the different ways in which, until then, they reverberated in scenic research and in the invention of dramaturgies.
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"Art: a place of tension" - interview with Andreia Duarte for Boletim 3x22
In an interview for 3x22, Andreia put the focus on the relation between Art and Indigenous Peoples, going through some issues related to the diffusion of indigenous cultures in non-indigenous societies, the promotion of these cultures, and also cultural appropriation.
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CREATION MEMORIES, a tribute to dear Ailton Krenak (2020)
IN: Bené Fonteles invites, Art in waiting and waiting, poetics in quarantine.
A tribute to Ailton Krenak.
The participation in the Bené Fonteles catalog is a text that pays homage to Ailton Krenak. In this text, Andreia Duarte runs through the scenic creation The silence of the world, bringing dramaturgical fragments, reflections of the creation sketches and finishing the material with poetic tributes to this great man, artist and indigenous leader.
DRAMATURGY OF THE TWO-HEADED HAWK
Dramaturgy of the play Two-headed Hawk, a creation by Juliana Pautilla and Andreia Duarte. To know more about the production visit the project page
“THE LOOK OF THE JAGUAR: PATHWAYS OF EXPERIENCE” for “Revista Arte da Cena” - a magazine of the graduate program in Performing Arts at the Federal University of Goiás (2018)
The present writing seeks to trace a methodology of thought in a research in Scenic Art, in order to invite for reflection on the possibility that involves the relationship between the indigenous issue and the theater. To do so, it presents a journey that took place over 18 years, from the notion of invisibility, the experience for five years in the Kamayura village and the insistence of an authorial practice that sought to understand: how to create acting procedures from indigenous corporeality and what to emphasize about the context of indigenous peoples in a theatrical performance?
